Practice log 29.9.09
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An example of a good length practice that I managed to fit into a day. If you’d like more specific info on any of the exercises, then let me know, Casimer.
Did you like this?
If so, please bookmark it,toshiko said,
October 3, 2009 @ 2:38 pm
Hi Casimer, will you link to the video here in the comments? Just want to know where to find it as I’m interested in viewing it.
casimer said,
October 2, 2009 @ 9:09 am
Hi Plotino, the ‘triplets to sevenths’ was my shorthand for 7th arpeggios, played as triplets. So in the key of G major if G = 1 (root), A = 2 (second), B = 3 (third) etc. You play 1,3,5 – 7,5,3 – 2,4,6 – 8,6,4 – 7th arpeggios through the entire scale (as I referred to it as the whole scale). It’s not the best way to illustrate it like this, so I’ll make a post showing the exercise.
Playing a scale in 3rds means (using the same formula as above) 1,3,2,4,3,5,4,6 etc or in G major – G, B, A, C, B, D, C, E, D, F#, E, G. If you play that across two octaves its a really good work out. Again, not so easy to get across here so I’ll make a video post. Cheers
plotino said,
October 1, 2009 @ 8:33 am
First of all thank you for your lick ….
Two questions:
1. What you mean for triplets to sevenths, through whole scale?
2. And for major scales in 3rds with variations?
Thank you again
plotino
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